A trip to the moon : in its original 1902 colors/the extraordinary voyage.
(eVideo)
Contributors
Gavras, Costa, interviewee.
Gondry, Michel, interviewee.
Hazanavicius, Michel, interviewee.
Jeunet, Jean-Pierre, 1955- interviewee.
Kanopy (Firm)
Gondry, Michel, interviewee.
Hazanavicius, Michel, interviewee.
Jeunet, Jean-Pierre, 1955- interviewee.
Kanopy (Firm)
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Status
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Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Flicker Alley in 2011.
Description
A trip to the moon (1902): The material for A trip to the moon is sourced from a restored color version that had been considered lost for several decades and is presented with an original soundtrack by the French band, AIR. In 2010, three experts in worldwide film restoration - a private collection Lobster Films, and two non-profit entities, Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage - launched the most complex and ambitious restoration in the history of cinema, over 12 years, using advanced digital technologies to reassemble and restore the fragments of the 13,375 frames. The restoration print premiered at the Cannes Film Festival in 2011 and made a worldwide tour of international festivals including Telluride, Pordenone, Rotterdam, and the MoMA Festival of Film Preservation. Now, one of the most technically sophisticated and expensive restorations in film history, A trip to the moon can thrill audiences in its original 1902 colors. The Extraordinary Voyage (2011): The Extraordinary Voyage chronicles the journey of A trip to the moon from the fantastical Méliès' production in 1902 to the astonishing rediscovery of a nitrate print in color in 1993, to the premiere of the new restoration on the opening night of the Cannes Film Festival in 2011. The story of Moon's restoration to its original 1902 colors unfolds as Serge Bromberg and Eric Lange acquire a severely damaged color print from the Filmoteca de Catalunya in 1999 and then begin the tedious task of peeling off and unrolling the nitrate prints to be able to digitize them. It took two years to discover the images on those fragments, which were then stored on a hard drive for 8 years as the technology available at the time did not allow Lobster Films to continue the landmark restoration. The documentary includes interviews with contemporary filmmakers, including Costa Gavras, Michel Gondry, Michel Hazanavicius, and Jean-Pierre Jeunet on Méliès' enduring significance to cinema.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Gavras, C., Gondry, M., Hazanavicius, M., & Jeunet, J. (2014). A trip to the moon: in its original 1902 colors/the extraordinary voyage . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Costa, Gavras et al.. 2014. A Trip to the Moon: In Its Original 1902 Colors/the Extraordinary Voyage. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Costa, Gavras et al.. A Trip to the Moon: In Its Original 1902 Colors/the Extraordinary Voyage Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)Gavras, Costa,, Michel Gondry, Michel Hazanavicius, and Jean-Pierre Jeunet. A Trip to the Moon: In Its Original 1902 Colors/the Extraordinary Voyage Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
58bb472c-e9e4-ee51-8697-eeacfda2f664-eng
Grouping Information
| Grouped Work ID | 58bb472c-e9e4-ee51-8697-eeacfda2f664-eng |
|---|---|
| Full title | trip to the moon in its original 1902 colors the extraordinary voyage |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2023-05-24 10:49:56AM |
| Last Indexed | 2024-05-15 00:07:19AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Dec 6, 2021 |
| Last Used | Jan 5, 2024 |
Marc Record
| First Detected | Oct 22, 2021 04:15:47 PM |
|---|---|
| Last File Modification Time | May 24, 2023 10:50:08 AM |
MARC Record
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| 518 | |a Originally produced by Flicker Alley in 2011. | ||
| 520 | |a A trip to the moon (1902): The material for A trip to the moon is sourced from a restored color version that had been considered lost for several decades and is presented with an original soundtrack by the French band, AIR. In 2010, three experts in worldwide film restoration - a private collection Lobster Films, and two non-profit entities, Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage - launched the most complex and ambitious restoration in the history of cinema, over 12 years, using advanced digital technologies to reassemble and restore the fragments of the 13,375 frames. The restoration print premiered at the Cannes Film Festival in 2011 and made a worldwide tour of international festivals including Telluride, Pordenone, Rotterdam, and the MoMA Festival of Film Preservation. Now, one of the most technically sophisticated and expensive restorations in film history, A trip to the moon can thrill audiences in its original 1902 colors. The Extraordinary Voyage (2011): The Extraordinary Voyage chronicles the journey of A trip to the moon from the fantastical Méliès' production in 1902 to the astonishing rediscovery of a nitrate print in color in 1993, to the premiere of the new restoration on the opening night of the Cannes Film Festival in 2011. The story of Moon's restoration to its original 1902 colors unfolds as Serge Bromberg and Eric Lange acquire a severely damaged color print from the Filmoteca de Catalunya in 1999 and then begin the tedious task of peeling off and unrolling the nitrate prints to be able to digitize them. It took two years to discover the images on those fragments, which were then stored on a hard drive for 8 years as the technology available at the time did not allow Lobster Films to continue the landmark restoration. The documentary includes interviews with contemporary filmmakers, including Costa Gavras, Michel Gondry, Michel Hazanavicius, and Jean-Pierre Jeunet on Méliès' enduring significance to cinema. | ||
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