The Decline of Western Civilization 3
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Shout Factory, 1998., Kanopy Streaming, 2016.
Status
Description
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Format
eVideo
Language
English
Notes
General Note
In Process Record.
General Note
Title from title frames.
General Note
Film
Date/Time and Place of Event
Originally produced by Shout Factory in 1998.
Description
DECLINE III is an unflinching look into the lives of the hardcore fans of punk rock in Los Angeles, 20 years later. Filmed over the course of 13 months , this 90 minute piece stands as the director's strongest work to date.. Whereas the first installment of the trilogy concerned itself with the birth of a new music genre, PART III focuses on the lifestyles and backgrounds of the fans. Many of them are homeless or occupy squats (abandoned buildings) as their living quarters. They simultaneously evoke emotions of deep empathy and severe distain, as they present a subculture that is impossible to ignore. DECLINE III delves into the underside of this subculture to indicate that Johnny Rotten’s “No Future” reference has taken on a new meaning.. The film is a strange coupling of comedy and tragedy, combining interviews with faithful fans, thought provoking accounts from those who have an intimate knowledge of the scene and live performances by underground bands: Final Conflict, Litmus Green, Naked Aggression, and The Resistance. Keith Morris (Circle Jerks), Rick Wilder (Mau Maus), and Flea (Red Hot Chili Peppers) compare the original late Seventies movement to present day punk rock. Unforgettable characters such as Why-Me?, Hamburger, Troll, Eyeball and Squid paint a seldom seen picture of life and death on the back streets of Hollywood..
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(1998). The Decline of Western Civilization 3 . Shout Factory.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)1998. The Decline of Western Civilization 3. Shout Factory.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Decline of Western Civilization 3 Shout Factory, 1998.
MLA Citation, 9th Edition (style guide)The Decline of Western Civilization 3 Shout Factory, 1998.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
823e831a-c350-7d9b-6225-eba5dbc4ca15-eng
Grouping Information
| Grouped Work ID | 823e831a-c350-7d9b-6225-eba5dbc4ca15-eng |
|---|---|
| Full title | decline of western civilization 3 |
| Author | shout factory |
| Grouping Category | movie |
| Last Update | 2023-10-23 11:05:57AM |
| Last Indexed | 2024-06-30 00:08:27AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Nov 29, 2022 |
| Last Used | May 17, 2024 |
Marc Record
| First Detected | Oct 22, 2021 04:17:59 PM |
|---|---|
| Last File Modification Time | Oct 23, 2023 11:07:27 AM |
MARC Record
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| 500 | |a In Process Record. | ||
| 500 | |a Title from title frames. | ||
| 500 | |a Film | ||
| 518 | |a Originally produced by Shout Factory in 1998. | ||
| 520 | |a DECLINE III is an unflinching look into the lives of the hardcore fans of punk rock in Los Angeles, 20 years later. Filmed over the course of 13 months , this 90 minute piece stands as the director's strongest work to date.. Whereas the first installment of the trilogy concerned itself with the birth of a new music genre, PART III focuses on the lifestyles and backgrounds of the fans. Many of them are homeless or occupy squats (abandoned buildings) as their living quarters. They simultaneously evoke emotions of deep empathy and severe distain, as they present a subculture that is impossible to ignore. DECLINE III delves into the underside of this subculture to indicate that Johnny Rotten’s “No Future” reference has taken on a new meaning.. The film is a strange coupling of comedy and tragedy, combining interviews with faithful fans, thought provoking accounts from those who have an intimate knowledge of the scene and live performances by underground bands: Final Conflict, Litmus Green, Naked Aggression, and The Resistance. Keith Morris (Circle Jerks), Rick Wilder (Mau Maus), and Flea (Red Hot Chili Peppers) compare the original late Seventies movement to present day punk rock. Unforgettable characters such as Why-Me?, Hamburger, Troll, Eyeball and Squid paint a seldom seen picture of life and death on the back streets of Hollywood.. | ||
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